People always ask me what a typical day at Browhaus looks like. Honestly, there's no such thing as "typical"—every day brings different clients, different stories, different challenges. But there's a rhythm to it all, a kind of flow that I've grown to love. So let me walk you through what a day in my Canley Vale studio really looks like.
The Morning Ritual
I arrive early. Always have. There's something grounding about being the first one in, when the studio is quiet and the morning light filters through the windows. I make myself a coffee, put on some music (lately it's been a lot of lo-fi beats), and start my setup.
First thing: sterilizing equipment. This isn't glamorous work, but it's critical. Every tool, every needle, every surface gets cleaned and prepped. I take my time here. My clients trust me with their faces, and I don't take that lightly. Everything needs to be perfect before anyone walks through that door.
While I'm setting up, I'll check my phone—there are always messages. Questions about aftercare ("Is this flaking normal?" Yes, it is.), booking requests, photos from past clients showing off their healed brows. I love those messages. They remind me why I do this.
The First Appointment
My first client today is Sarah. She's a regular, coming in for a brow lamination touch-up. I've been seeing her every six weeks for the past year, and we've developed a rhythm. She knows I'm going to ask about her skin routine, I know she's going to tell me she forgot to stop using retinol the week before (every time).
We chat while I work. That's one of my favorite parts—the conversations. Sometimes deep, sometimes light, but always real. I learn about her kids, her job, her life. And she opens up in a way people don't always do in everyday life. There's something about sitting in that chair, vulnerable and trusting, that creates this space for honesty.
The lamination itself takes about 45 minutes. I map her brows, apply the solutions, brush them into place. I'm methodical about it. Every hair needs to sit just right. When we're done, Sarah looks at herself in the mirror and smiles. That smile—that's the moment that makes it all worth it.
Between Clients
In the gaps between appointments, I clean. A lot. I restock supplies, check my tools, wipe down surfaces. The studio has to be spotless, always. It's a non-negotiable for me.
I also scroll through Instagram. I'm part of this incredible community of brow artists, and we're always sharing tips, techniques, before-and-afters. Someone posted a new pigment mixing technique this morning, and I make a mental note to try it on my next client. This industry moves fast. If you're not learning, you're falling behind.
The Nervous First-Timer
Mid-morning, I have a consultation with Emma. She's booked in for ombre powder brows, but she's nervous. This is her first cosmetic tattoo, and she's got questions. A lot of questions. Will it hurt? How long will it last? What if she doesn't like it? What about the healing process?
I sit with her. We talk through everything. I show her photos of past clients, walk her through the numbing process, explain exactly what she'll feel. I pull out my mapping tools and sketch out her brows with a pencil first. We make adjustments together until she's happy with the shape. This part takes time—sometimes 20 minutes, sometimes 40—but I never rush it. If she's not 100% confident before we start, we don't start.
When we do begin, I talk her through every step. "You'll feel some pressure here," "This is the numbing cream kicking in," "We're almost done with the first pass." I can see her relax as we go. By the end, she's taking selfies in the mirror, grinning. That transformation—from nervous to thrilled—never gets old.
Lunch Break (Sort Of)
Lunch is usually quick. Today it's a sandwich from the bakery down the street. I eat while scrolling through my phone, catching up on the brow community. There's a thread about new aftercare protocols, and I bookmark it to read properly later. Even on my break, my brain's still in brow mode.
I also use this time to check in with clients who've recently had work done. A quick "How's the healing going?" message goes a long way. I want my clients to know I'm here, even after they've left the studio.
The Afternoon Rush
Afternoons are usually busier. Today I have back-to-back lash lifts and brow shapings. These are quicker appointments—30 to 45 minutes each—but they require the same precision. Every lash needs to be perfectly separated and curled. Every brow hair needs to be shaped to follow the natural arch.
I stay energized by moving. Between clients, I'll do a quick walk around the studio, stretch my hands, refocus. This work is detail-oriented, and if I'm tired or distracted, it shows. So I stay present. I hydrate. I breathe.
One of my afternoon clients, Jess, mentions she's getting married in three months and wants her brows to look perfect for the big day. We talk timing—when to book the tattoo, when to schedule the touch-up, how to plan around the healing process. It's moments like this that remind me I'm not just doing beauty work. I'm part of people's milestones, their big moments. That responsibility keeps me sharp.
End of Day Reflection
By the time my last client leaves, it's late afternoon. The studio feels different now—lived-in, warm, full of the day's energy. I start my closing routine: cleaning tools, restocking products, wiping down every surface. I take my time here, too. It's meditative, in a way.
Before I lock up, I'll often review the day's work. I take photos (with permission, always) of the before-and-afters. Some of them I'll post on Instagram, others I'll keep for my portfolio. I look at each one critically—what went well, what I could improve next time. This is how I get better.
As I'm packing up, I think about the clients I saw today. Sarah with her lamination. Emma with her first-ever brow tattoo. Jess planning for her wedding day. Each one trusted me with something deeply personal—their appearance, their confidence, their self-image. I don't take that for granted. Not ever.
Why I Love This Work
Here's what people don't always understand about this job: it's not just about brows. It's about the person sitting in my chair. It's about listening to their story, understanding what they need, and helping them feel like the best version of themselves.
Some days are exhausting. Some days my hands ache and my eyes are tired from hours of close-up work. But every single day, I get to see someone look in the mirror and smile. I get to be part of their journey, even if it's just a small part. And that's why I do this.
Being in Canley Vale, serving this community, building relationships with clients who come back month after month—that's everything to me. This isn't just a studio. It's where I get to do the work I love, with people I genuinely care about. And at the end of the day, that's what makes it all worthwhile.